Just a photo of me and my new friend, Fred Penner. It was taken at the Hillside Festival in Guelph last weekend. Such a fantastic experience to meet a childhood hero!
Thursday, July 28, 2011
Fred Penner
Just a photo of me and my new friend, Fred Penner. It was taken at the Hillside Festival in Guelph last weekend. Such a fantastic experience to meet a childhood hero!
Thursday, June 02, 2011
Nostalgia
Monday, April 11, 2011
Word Cloud: How Toy Ad Vocabulary Reinforces Gender Stereotypes
Friday, December 31, 2010
And so it was ...
Friday, November 26, 2010
How Facebook and Twitter Are Replacing Blogging
Saturday, November 06, 2010
Monday, September 20, 2010
Thursday, September 02, 2010
Monday, August 02, 2010
City of Lights




Wednesday, May 19, 2010
"All of us see ourselves in her."
Why we love Liz Lemon, from Girldrive:
"All of us see ourselves in her. With the women from Sex and the City, maybe we saw ourselves in that we have those conversations with our girlfriends, but I don’t think that most people [really] saw themselves. But Tina Fey’s character is so popular because people feel like floundering basket cases. Especially now … You prioritized your career over personal life and it creates a whole set of issues."
- Liz Tigelaar
Monday, April 12, 2010
Friday, March 19, 2010
R.I.P Dan (From Auteur Recordings)
The Rest at Catherine NorthFrom Auteur Recordings
I’m really happy I knew Dan Achen.
Last Thursday I hung out at Catherine North Studio. I was stopping by to pick up a guitar that Dan was helping me sell. A guitar that Adam and myself had purchased off of Dallas Green a few years back while Dan and I had been working on Dallas’ record. I had just finished working my 4th consecutive 10-hour shift and was super exhausted. I told him how my plans for the afternoon were to grab the guitar and run home to nap before a show that our band The Rest was playing. In true fashion, Dan successfully transformed our five-minute meeting into almost 4 hours.
“You gotta try this coffee, smell it, doesn’t it smell good?”
“Smells awesome.”
“You take yours black right?”
“Yep.”
“Me too… but with cream. Haha.”
I’ve had the pleasure of knowing and working with Dan for the past five years. I remember the first time I met him. We wanted to record a full length, and our friends from the band Cities and Dust had been working at his studio. Through them Dan had heard our demo for Innocent Fools, and after seeing an amazing photo of the studio we met up at Doors Pub here in Hamilton. This same photo on a business card with a friendly handshake landed Dallas and countless others at his door.
Dan loved to sell you on stuff, whether it was a guitar, or a Mac book, or an idea for 5-second section in a song. Dan could convince with such passion. And our first meeting with him was no exception. Still to this day I’ve never heard anyone explain the mechanics of a melotron with such enthusiasm. Dan loved to talk about gear, how it worked, what it sounded like. His love for it was infectious.
Last Thursday was no exception either. As I walked around downstairs at the studio I looked over and noticed a strange looking electric guitar.
“What’s that?”
“It’s an Idol.” (A crazy looking 60s Japanese electric guitar)
“Cool.”
Dan then picked up the guitar and played some blues riffs. I think I’ve heard him do the same thing a thousand times now when he picks up a guitar. His tester riff. It’s like 4 chords and then some dancing. It’s always impressive. Then he hands it off to me and I try my best to pretend like I can play something.
I’ve had the pleasure of working a lot with Dan in the past 5 years. I’ve engineered records with him, mixed records with him, driven to airports to get people for him, mopped studio floors for him, made coffee, cleaned toilets, driven 2 hours away to pick up pre-amps for him. I would have driven 20. When you worked hard for Dan you could always tell he appreciated it and would reciprocate ten fold. Dan had his hands in everything we worked on. Even the allegories record that was recorded in my parents’ basement was transferred to tape by Dan, dithered by Dan, sent to mastering by Dan. With The Rest he turned a group of sloppy, naïve, high school buddies into a real band. Dan’s power was in his ability to give others power, and that made him truly special. I spent countless hours staring at a screen mixing albums with Dan. And we truly had an amazing work system together. It took a lot of convincing to let him let me mix records at first, but I’m so happy I was bullheaded enough to pull it off. I’ve learned more about how to make music from him than any other person in my life.
On Thursday we sat down at the mixing console and he showed me his newly acquired vintage speakers. I told him how excited I am for the new songs that we are working on. He was super excited to mix new stuff with these speakers. We spent the next hour or so listening to stuff back and forth, speaker set to speaker set. He glowed about how much air he was getting off of the two inch machine. He told me how he had been playing more guitar than he had been in years. He showed me what he had put down on Amanda’s record. It’s fucking amazing. The next day I saw her and blurted, “It’s fucking amazing!”
And I’m an absolute mess right now because he is gone. And I can’t help but be thankful that I didn’t go home and take that nap. I will forever miss him and be grateful to him for all of the good he brought into my life.
It’s really hard to sum up a person in just a few words but I will say this about my friend.
Dan loved his family. Dan was great at what he did. Dan was an endless source of inspiration and enthusiasm. Dan was cool as shit.
I’m really going to miss you Dan.
- Jordan
Thursday, March 04, 2010
Literary Mourning
Stumbled upon this article in the New York Times this morning. I'm not familiar with Barry Hannah, the author who died of a heart attack earlier this week, so I can't eulogize him here as I often do when people of note die.
However, I did find this article about his work — and how we mourn authors — completely beautiful.
"It’s strange, the way we mourn our writers. We react to the news of their passing, typically, by rushing out to buy their books. Volumes that have sat on shelves for years, gathering dust and perhaps remainder stickers, are suddenly carried off in stacks. For many writers, especially those in midcareer or of midrange repute, death is the best (and last) great sales push they ever get. I like to think of the posthumous book purchase as an example of what Raymond Carver called “a small good thing,” offered up as consolation and condolence for those yet living, part of the same chain of motive that fills homes in mourning with casseroles and pies.
Knowing that this is how the reading public mourns, it makes perfect sense, and is even in some sense commendable, that bookstores come swift to our aid. Nonetheless, the sudden appearance of memorial tables and displays may leave a sour taste in the mouth of the literary mourner. However noble the motives, however dignified the presentation, commerce in the face of death is ghoulish. It just is. And what’s worse, the Memorial Sales Display turns the experience of loss into a jostling for front-of-table real estate. It is, in this sense, quite terrible, a compounding brutality to the fact of the death itself."
Thursday, December 31, 2009
"All things go ... All things go ..."

Tuesday, December 15, 2009
A Charmed Life, by Liza Campbell

Monday, December 14, 2009
Farm City, Novella Carpenter

Sunday, December 13, 2009
Playing Catch Up
Monday, December 07, 2009
Time Windows, by Kathryn Reiss

Sunday, December 06, 2009
Yes Means Yes: Visions of Female Sexual Power and A World Without Rape, edited by Jaclyn Friedman and Jessica Valenti

Saturday, December 05, 2009
Half World, by Hiromi Goto
Friday, December 04, 2009
Columbine, by Dave Cullen

Thursday, December 03, 2009
My Life as a Dame, by Christina McCall

Wednesday, December 02, 2009
Egg on Mao, by Denise Chong
Beginning with a paint-filled egg, hurled upwards toward the giant oil painting of Mao that hung in Tiananmen Square in 1989, Denise Chong's Egg on Mao is the heartbreaking, yet inspiring, true story of Lu Decheng — a Chinese man whose act of vandalism helped to unmask a violent dictatorship — acting as a humanizing snapshot of one person's quest for change that is easily of the best non-fiction releases of the year.Tuesday, December 01, 2009
Let the run-on sentences begin!




